Natasha Bedingfield in einer unerhört hörenswerten Acoustic Version von „unwritten“ – zum Mitsingen und in den Sonnentag hineingleiten

I am unwritten, can’t read my mind, I’m undefined
I’m just beginning, the pen’s in my hand, ending unplanned

Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you could not find

Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten

Oh, oh, oh

I break tradition, sometimes my tries, are outside the lines
We’ve been conditioned to not make mistakes, but I can’t live that way

Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you could not find

Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten

Staring at the blank page before you
Open up the dirty window
Let the sun illuminate the words that you could not find

Reaching for something in the distance
So close you can almost taste it
Release your inhibitions
Feel the rain on your skin
No one else can feel it for you
Only you can let it in
No one else, no one else
Can speak the words on your lips
Drench yourself in words unspoken
Live your life with arms wide open
Today is where your book begins
The rest is still unwritten
The rest is still unwritten
The rest is still unwritten

Oh, yeah, yeah

Richard Armstrong, Director Solomon R. Guggenheim Foundation and Museum, spricht über die Ausstelung „Color Fields“ – von ihm kuratiert  für das deutsche Guggenheim.  Die Ausstellung zeigt herausragende Vertreter der Farbfeldmalerei (colorfield) wie Mark Rothko, Morris Louis, Helen Frankenthaler und andere und war vom 22.Oktober – 10 Januar zu sehen.

(„Richard Armstrong, Director Solomon R. Guggenheim Foundation and Museum talks about the exhibition „Color Fields“ that he curated for Deutsche Guggenheim. The show featured prominent representatives of color field painting such as Mark Rothko, Morris Louis, Helen Frankenthaler and others and was on view from Oct 22, 2010 – Jan 10, 2011 at Deutsche Guggenheim„)

Produced by dmovies.net
(c) Deutsche Guggenheim